对“戏曲导演制”存在根据的质疑

A Critique on Predominance of the "Director" in Contemporary Chinese Traditional Operatic Productions

戏曲艺术突出演员的表演 ,这正是戏曲艺术不受制于编导的关键。戏曲演员的表演是充分个人化的。充分个人化的标志是建立在童子功基础之上的表现方式的充分技艺化。复杂化的技艺是导演根本无法导出的。“导演制”在戏曲界“成了气候”

The pre-eminence of the actor on Chinese traditional operatic stage precludes the conditioning role of the playwright-director. The performance of the traditional operatic performer is highly individuated. The high degree of this individualization of performance is secured by the consummate technicality of expression on the basis of an early training. The complexity of the extremely technical performance lies beyond the reach of the director. The director＇s rise to eminence now witnessed widely in Chinese traditional opera has stinted the emergence of the maestro performer.