摘要
“意淫”是一个与中国古代文论中的“意境”说等有着相类内核的概念,强调心灵、想象的参与,追求情景交融、虚实相生的体验妙境。作为“人类口述与非物质文化遗产”的昆曲是一门综合了听觉(昆腔水磨调) 与视觉(舞台布置及身段等)的表演艺术,她在当代的表演与解读需“意淫”参与才得真味。
The concept of “ lascivious conation ” has the similar essential nature with the concept of Chinese ancient theory of literature: “artistic conception”. They all emphasize the participation of soul and imagination, and in pursuit of the experiences which blends feelings with scenes, emptiness with actual situation. As “ the oral and intangible heritage of humanity ”, Kunqu opera is an art of acting which combines the hearing (melodies of milling with water) and the seeing (stage assigning and figure ,etc. ). In the contemporary processes of performance and expounding, Kunqu opera can be really understaood by the participation of “lascivious conation”.
出处
《河池学院学报》
2005年第6期66-68,75,共4页
Journal of Hechi University
关键词
“意淫”
昆曲
水磨调
“ lascivious conation ”
Kunqu opera
the melody of milling with water