摘要
多年来学术界对许地山的《空山灵雨》,多侧重于“宗教”视角来解读,不可避免地出现牵强附会的诠释。在细读文本的基础上,从“爱”的视角,重新解读这本集子中关于“妻子”、“情爱”与“美的牢狱”的话题,深入探讨两性在“情爱”上衍生出种种复杂的况味和表现形态。
Since many years the academic circles have laid particular emphasis on the view of religion to explain Xu Dishan＇ s The Rain in a Vacant Mountain, and inevitably strained it. Based on painstakingly reading the test, from the view of love the topics about “wife”, “love” and “the prison of beauty” in the collection are explained again, and it is probed that various complex tastes and expressions are derived from sexual love.
出处
《西南科技大学学报（哲学社会科学版）》
2005年第4期5-8,23,共5页
Journal of Southwest University of Science and Technology:Philosophy and Social Science Edition
关键词
散文集
情爱
美的牢狱
表现形态
prose collection
love
prison of beauty
expression
