摘要
在考察建安文学之读者接受史过程,不难发现历代读者接受三曹诗歌所形成的接受范式,即“以道德伦理评诗”、“以史证诗”、“以感悟言诗”、“以章句解诗”,这几乎也是中国古代文学批评中甚为常见的范式。这一中国式批评范式的形成,与中国古代受众的文化心态有密切联系。道德伦理的价值取向、尊崇权威的心理定势,乃这种文化心态形成的主要原因。
We would know the readers' accepted paradigm for three Caos' poetry after investigating the course of readers response to Jian -an Literature. The paradigm includes: (1) criticizing poetry with morality; (2) proving poetry by historical event; ( 3 ) discussing poetry with perception; (4) explaining poetry for sentences and phrases. This is almost the commonest paradigm of literature criticism in Chinese history. The formation of the paradigm was closely related to cultural psychology of Chinese accepters at that time, and this kind of cultural psychology that was caused by morality orientation and authority worship.
出处
《集美大学学报(哲学社会科学版)》
2005年第4期67-70,共4页
Journal of Jimei University:Philosophy and Social Sciences