浙江的道教与戏剧

Daoism and Drama in Zhejiang

从浙江道教与戏剧的历史及现状入手,以田野调查所获的第一手资料为依据,客观地论述道教仪式与戏剧的密切关系:戏剧不仅在起源方面离不开道教,是道教仪式戏剧化、舞台化、民俗化的结果,而且以道教仪式为载体、与内坛法事互补互动、有机统一,赖道教仪式以生存,并从道教仪式中获得大量观众和市场,以求得自身的不断壮大和发展。

This paper, based on an analysis of the history and status quo of Daoism and drama in Zhejiang, by adopting a field research method, objectively discusses the close relationship between Daoist rituals and drama. Drama was inherently originated from Daoism and was a product of the dramatization, stage effect and folklore of Daoist rituals. Moreover, it relied on Taoist rituals as media and made complementary and integrated interactions with them. Finally, drama drew a large audience and gained a big market from Daoist rituals for its own development.