星海时代性的文化透析兼及广东音乐问题

An Analysis of Xing-hai's Mile-Stone Documents and Issues of Music in Guangdong

星海的作品中充满了对西方音乐文化体系进行民族化的大胆尝试,他有所成功、有所失败,但无论其成功与失败,都是西方音乐传入后民族化发展道路上可贵的经验与教训。冼星海的革命歌曲、合唱歌曲是成熟的,而交响乐作品则不够或不算成熟,但他具有很超前的革新与创意,可惜整个社会音乐文化尚未处于成熟的发育阶段,因此他也不可能超前地成熟。他的交响乐作品经过当今的诸多作曲家加工出版,但不一定都能体现出他本人最初的创意。

Permeated in Xing-hai＇ s compositions are bold tryouts based on what he learned in the western system of culture and alternated for the Chinese tastes where success and lose co-exist. Disregarding the wins and fails, valuable experiences and lessons are of experiments he conducted and left for the successor as a peculiar heritage. The mature ones include his revolutionary songs and choral music, while his symphonic works, however, are less regarded. This is due to that particular time when musical culture on this land was in an immature period of growth and, frankly,this composer could not possibly precede. His symphonic works,elaborated by others in the published versions, are not necessarily original of his own innovative thinking.