从《聊斋志异》看蒲松龄的女性观

Seeing Pu Songling's View on Feminine from His Strange Stories from a Lonely Studio

蒲松龄在《聊斋志异》中严格遵循“现实”原则,真实表现了在封建社会中女性被“工具化”的悲惨境遇。蒲松龄塑造了两类女性形象:超凡的女性形象、平凡的女性形象,一部分超凡的女性因具有超凡能力而拥有自己的意志,保持着独立人格;另一部分超凡的女性和平凡女性因将封建道德理念内化为自身需求而无力拥有独立人格,依附于男权社会。蒲松龄尊重、欣赏女性,对她们受“制度”控制无法冲破现实藩篱的无奈与不幸给予了同情和怜惜。

In Strange Stories from a Lonely Studio, Pu Songling kept to the principle of “reality” strictly and manifested miserable lot of women who were looked as tool in feudal society. In Strange Stories from a Lonely Studio, Pu Songling created two kinds of women images： outstanding women image and common women image. Some outstanding women had their own spirits because they possessed outstanding ability and maintained their independent dignity. Other outstanding women and common women were powerless to possess their independent dignity and attached to men＇ s society because they turned feudal moral idea into their own requirements. Pu Songling respected and admired women and showed his sympathy and compassion to unfortunate women who were controlled by “rules” and couldn＇t break the barrier of reality.