晚清民国时期柳子戏的现代转型初论

Liuzi Drama's Transformation for Modernism in Latter Qing Dynasty and the Republic of China

晚清民国时期,柳子戏的审美形态由大团圆结局逐步转向悲剧结尾,在主题内容中,则出现了对城乡差别、市民生活与商品经济的描绘和对“现代生存困境”中的无奈的刻画,开始追求现实主义的创作方法,出现了现代主义的萌芽。柳子戏的历史转型昭示了包括该戏曲在内的地方戏曲走的是一条渐进式的现代化道路。

In latter Qing Dynasty and the Republic of China, Liuzi drama＇s aesthetic form transformed gradually from the happy ending to tragedy. In its theme, there appeared the careful description of the differences between town and country, the citizen life and commodity economy, and the sigh on the difficulty in survival. So, Liuzi drama started to demonstrate the realism pursuit and the modernism bud. This historical transformation showed that local dramas, including Liuzi drama, developed in a progressive modernization path.