摘要
“新古典主义”是对20世纪后期中国美学审美观念上的描述。本时期中国美学经历过初创、复兴和转型三个历史阶段。哲学美学、马克思主义美学和西化美学是本时期中国美学最显著的学术特征。从审美观念和学术研究方法两个层面认真总结20世纪后期中国美学的理论成果与历史经验是新世纪中国美学有所建树的学术前提。
Chinese Aesthetics in the late 20th century can be depicted by the concept of neo- classicalism. The Aesthetics in this period is consisted of three historical stages: that of establishment, restoration and transformation, hence achieves three identities as that of Marxism, philosophy and Western. For the reasons above, this paper holds that reviewing aesthetics in the period from both aesthetic and methodological perspectives is the precondition for any progress of Chinese Aesthetics in new century.
出处
《南开学报(哲学社会科学版)》
CSSCI
北大核心
2006年第1期93-102,共10页
Nankai Journal:Philosophy,Literature and Social Science Edition
关键词
中国美学
新古典主义
阶段
特征
Chinese Aesthetics
Neo-classicalism
Stage
Identity