摘要
意境最重要、最根本的特征是情与景、意与境、主观情致与客观自然的交融统一。重视情景交融、意境统一,乃是中国古典美学的一个传统。作为意境理论的标识和核心,情景交融集中体现了艺术意境的审美特质,是中国古代文学家艺术家孜孜以求的审美理想的境界。它的深层结构中凝聚和积淀着我们民族的特殊的文化心理模式,即“天人合一”观念。因而,情景交融不只是意境的一般特征,也不只是一般的“中国古典美学的范畴”,它深刻地揭示了意境的民族心理内涵,是中国艺术最重要的民族品格。
It's a tradition of Chinese classical aesthetics to pay attention to the union of feeling and setting. As the identification and core of theory of artistic conception, the union of feeling and setting embodies a concentrated reflection of the aesthetic specialty, and it is the aesthetic and ideal realm that the ancient writer and artist of China seek assiduously. It condenses and accumulates our national special psychological mode of culture in its deep structure, namely the idea of “harmony between man and nature” . Therefore, The union of feeling and setting does not only reflect the common characteristics of the artistic conception and the scope of the “Chinese classical aesthetics”, but also announce the psychological intension of nationality of the artistic conception deeply; it is the most important national character of Chinese art.
出处
《扬州大学学报(人文社会科学版)》
北大核心
2005年第6期28-32,共5页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
关键词
意境
情景交融
审美特质
天人合一
民族心理
artistic world
union of feeling and setting
aesthetic specialty
harmony between man and nature
national psychology