循环的局限与尴尬——从观念方式在中国架上艺术中的几种体现而引发的思考

Limitation and Embarrassment of the Cycle:Thoughts of Conceptual Art in Chinese Traditional Easel Painting

中国现代观念艺术经历了一个复杂而多元的发展过程。社会,政治和经济的改革激发了艺术的创造,改变了我们的视觉经验和生存方式,从架上开始,到装置、行为、雕塑、多媒体等诸多表现形式,无不隐藏着观念艺术的身影。但由于对观念艺术的理解、界定和阐释的模糊,导致了一些问题。当然,这在发展中本是十分正常的现象,所以我们应该建立一个开放的平台,让各种艺术观念、知识背景都不尽相同的见解和方式相互修正、相互补充、也相互融汇,从而形成一个缠绕共生的健康环境。

Chinese contemporary conceptual art has operated a complex but various developing process. The innovation of society, politics and economy stimulates art creation, also changing our visual experience and life style. Starts from the traditional easel painting to the installment, performance, sculpture, multimedia and many other art forms implies the influence of conceptual art. But the fuzziness of understanding, defining, and explaining conceptual art has caused some problems, which are quite normal in the development. Therefore we should build an open platform, which make different opinions and methods from various artistic ideas and knowledge background to revise, renew and melt each other. Thus we can have a healthy and accretive environment.