浅谈水彩画技法中民族绘画语言的融汇

A Study on Merging National Painting Language in Skills of Watercolor Painting

水彩画是舶来画种,从19世纪末传入我国,从技法上讲很长一段时间是沿袭西方的审美观念.自改革开放以来,水彩画技法从单一模式走向多样化,更加重民族特色.针对现状,进行水彩画技法中民族绘画语言的融汇的研究.由于水彩画同中国水墨画有着天然的亲缘关系,都是以水为媒介,所以水彩画技法研究中把中国水墨画的笔墨观念及相关的审美意识有机渗透进水彩画技法中,与西方写真方法、审美要求相容共济,产生既活泼、灵透、含蓄的东方笔致而又不失坚实、浑厚的力度美.

Watercolor painting was introduced into China in the 19^th century. In skill, it used to follow western aesthetic concepts. But since China＇s reforming and opening to the outside world, it has transited from a single pattern to diversified ones, attaching more importance to our national characteristics. Watercolor painting has natural intimacy with Chinese wash painting, for both of them employ water as the medium. Based on all this, the paper proposes to combine them harmoniously. Namely, we prefer to learn from the ideas of Chinese ink painting and relative aesthetic consciousness to permeate through watercolor painting. The harmony between them will help to achieve the implicit and intense beauty vividly and powerfully.