摘要
在特定时代的意识形态制约下,曹禺后期戏剧的艺术建构逻辑发生了显著变化,表现为矛盾冲突类型由家庭转向社会,主题取代人物成为戏剧创作的最高目的,艺术风格与技巧也由沉郁丰赡转向明朗简淡。这一系列的变化导致曹禺后期戏剧的艺术魅力消退。
Restricted by the ideology of the time, CAO Yu＇s plays experienced evident changes in their construction after 1949. Conflicts were developed on the setting of the society rather than the family, themes instead of character became the highlight of his writing, and an explicit and simple tone replaced his original rich and profound style. All this resuhed in the decline of the artistic charm in his plays.
出处
《厦门理工学院学报》
2005年第4期108-112,共5页
Journal of Xiamen University of Technology
关键词
曹禺
后期剧作
建构逻辑
CAO Yu
plays after 1949
logical construction
