摘要
昆德拉之重在于生命不能承受之轻;在于生命中无以数计的“非如此不可”;在于不解之词所诏示的萨比娜的叠加式的背叛;在于镜子所裸现的特蕾莎别样亦可的身体;在于凭藉对残酷现实的幻化所构建的必然之舟上的别样女性与偶然女性。通过对生命不能承受之轻作一女性主义的胜揽和存在主义的洞见,旨在达成某种程度上的文学性和学术性兼具的批评向往。
Kundra is built on his unbearable terative betrayal by Sapina and the passable lightness of being with so many “es muss sein” ; especially on the rebody of Theresa that are constructed by means of fancy-the brilliant female heroines either on a necessity-canoe or the one on an accidentalness-canoe moving between fantasy and reality. The paper attempts to take an overall feminist and existential glance of the female heroines in the novel - a brilliant picture of male writing female out of the prejudiced opinion of the writer, which proves criticism might be a blending of literariness and academy.
出处
《西北大学学报(哲学社会科学版)》
CSSCI
北大核心
2006年第1期159-162,共4页
Journal of Northwest University:Philosophy and Social Sciences Edition