从艳羡到逃离:宋玉书写女性的现代解读

From Immense Admiration to Fleeing:A Modern Interpretation of the Female Depicted by Song Yu

末世文人的女性自拟心理,导致了宋玉的文学创作在选材与书写上的独具风格,即对女性的从艳羡到逃离。宋玉对女性的认同,成就了他在中国文学史上艳情文学始祖的地位,也给后人留下了诟病的口实。宋玉对美女的逃离实际上是追求理想的失落。在女性自拟心理影响下,这种失落散化为浓郁的伤感,强化成中国古代文学作品审美主题的自觉,并形成了中国古代文人女性化的审美意味。

The man of letters in late Spring and Autumn Period self- imitated the female, which led to the peculiarity of Song Yu＇s writings both in material selection and in his writing style, i.e. his attitude toward the female from immense admiration to fleeing. Song Yu＇s understanding of the female resulted in his pioneer＇s position in erotic literature in the Chinese literary history, but left a cause for gossip for later generations. Song Yu＇s fleeing from the beautiful women, was in fact the lost pursuit of the ideals. Influenced by the psychology of self- imitating the female, the lost changed into profound sentiments and became the self- conscious themes of beauty appreciation in the works of the ancient Chinese literature, and finally shaped the Chinese ancient man of letters＇ femininized sense of beauty appreciation.