西部歌吟的个案解读——阳飏、古马、高尚诗歌创作简论

A Case Study of the Poetry Writing of Yangyang Guma,and Gangshang

阳、古马、高尚是20世纪90年代西部诗坛灿烂星空中令人瞩目的星座。阳的诗歌创作审美表现较为开阔,但最能体现西部地域文学特色、也能体现阳诗歌创作主体成就的是其西部大自然吟章。其诗自然质朴而不落俗套,精警而明敏,有一种智慧的幽默。古马的诗歌内心饱满而外表透明,古马擅长精心构造一种氛围:空灵却渗透着自己凝练的情感,让人不知不觉地沉入其中,并为之感动。高尚力图在自己的诗歌中,再造一个精神意义上的西部,他常常赋予自己的诗歌以超越日常现实的智性和灵性,捕捉来自形而上的诗意。高尚的诗较为内倾化,富于感性而又蕴籍较强的形而上意味,呈现出一种较为朦胧内敛的审美效果。

This papar is meant to appreciate the mien of the poems of western China from the appreciation of Guma, Yangyang and Gangshang＇s respective poetry writing. In the artistic style, the poems of Yangyang are plain without falling into a set phrase, smart and concise, intelligent and humorous. Different from Yangyang, Gttma＇s poems are shallow in appearance but deep inside. He is good at creating a sort of atmosphere into which people immerge unconsciously and are touched by the writer＇s dense and deep feeling behind the light - hearted verse. Different from the two above, Gangshang tries hard to create a spiritual west in his own poems. He often endows poems the surrealistic intelligence and spiritualism to capture the poetry from metaphysics. His poems are introverted. They are rich in feeling as well as reserved a rather strong meaning of metaphysics, which presents a pretty obscure and reserved aesthetic effect.