论肖邦《f小调叙事曲(Op.52)》中的多曲式结构原则

On Multi-principle Form in Chopin's Balladen f Minor(Op.52)

肖邦《f小调叙事曲(Op.52)》是其作品中曲式最为复杂和特殊的乐曲之一,文中通过对乐曲中不同程度体现的奏鸣、循环、变奏、套曲原则的分析,得出此曲是以奏鸣原则为主导,并兼具循环、变奏、套曲原则的多曲式结构原则相结合的边缘曲式这一结论,展现了作曲家为适应叙事曲体裁而在曲式方面所作的创造性构思。

Form in Chopin＇s Balladen f minor （Op. 52） is one of the most complicated and special works. The article analyses principles of sonata, rondo and variation that embodied form different aspects in this works;then comes to the conclusion;the Balladen is a borderline form is whick sonata principle is the dominant while it combines rondo and variation. It shows the composer＇ s creative power in order to adapt for the new genre.