摘要
作为有着悲剧意识和忧患意识的知识分子、作家,现代的老舍与当代的阎真跨越时空奏响了共同的心灵震颤之曲:《月牙儿》中的“我”(妓女)、《沧浪之水》中的“我”(池大为)以“灵魂堕落”的自我倾诉,剖析了知识分子日常生活中宿命性的人生“真理”,从而传达出不同时代的作家对转型期知识分子前途命运共同的困惑和抗拒。
Lao She in the period of modem literture and Yan Zhen in the period of contemporary literature, as intellectuals and writers possessing consciousness of tragedy and suffering, express the same theme in their novels. They both analyse intellectuals' fatalism in daily life by the description of two different characters separately : “I” (the prostitute) in The Crescent Moon by Lao She and “I”( Chi Dawei) in The Water of Turbulent Waves by Yan Zhen. Both of them give an amount of recollection and reflection about the degeneration of their souls. These two novels express the common puzzle and resistance of the writers in different times, to the future fate of the intellectuals in the era of transformation.
出处
《襄樊学院学报》
2006年第1期64-67,共4页
Journal of Xiangfan University
关键词
老舍
阎真
《月牙儿》
《沧浪之水》
Lao She
Yan Zhen
The Crescent Moon
The Water of Turbulent Waves