摘要
从音乐题材和具体的创作技法看,中国二胡音乐呈现出阶段性衍变的音乐创作风格。这种创作风格分为上世纪20-40年代的“独白”式、上世纪50-70年代的“赞美”式和上世纪80年代以来的多元并存式三个阶段。
From the view of the musical subject and the concrete creative thechniques, music of Erhu shows phased development in its creative style. It divides this development into three phases： the monologue phase .from 1920s to 1940s, the phase of eulogy from 1950s to 1970s, and the phase of multiple coexistence from 1980s.
出处
《云梦学刊》
2006年第1期115-118,共4页
Journal of Yunmeng
