摘要
《搜神记》是魏晋神怪小说翘楚之作,干宝以其“游心寓目”的小说观和“遂混虚实”的叙事技巧进一步丰富和发展了神怪题材小说诞生以来约定俗成的“搜奇辑逸”之创作理念。作品在创作动机、题材的选择与处理、神怪形象的定位与操作等方面呈现出的明显世情化倾向,意味着神怪题材世情化的萌芽,对后世传奇、小说及戏曲创作影响颇深,凸显其独特的嬗变轨迹。
"The recording of Searching Gods" is an outstanding novel among fitions of demons and ghosts in Wei and Jin dynasties. By using his fiction viewpoint of "making. one joyful in body and mind" and the narrative technique of "combining fabricating with writing realistically",GanBao further enriched and developed the creative theory of "collecting and recording fantastic stories and anecdotes" estabIished by usage since the fictions of gods and spirits coming into being. The tendency of common customs has emerged in this novel in many aspects, such as the author's creative intention, the gathering and dealing with materials and the making of images of spirit, etc, which means the germination oft he tendency of common customs in novels of gods and spirits and has exerted a tremendous influence to later ages creations of chuanqi,dramas and novels and demonstrated its unique gradual progress.
出处
《怀化学院学报》
2005年第4期87-91,共5页
Journal of Huaihua University
关键词
《搜神记》
小说观
神怪题材
世情化
The Recording of Searching Gods
fiction viewpnint
theme of gods and spirits
tendency of common customs