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开掘民族艺术的审美文化资源——全球化背景下发展民族艺术的美学研究 被引量:8

Digging the Aesthetic Culture Resource of National Art——Develop the aesthetic research on national art under the background of globalization
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摘要 自觉开掘中国少数民族传统艺术的审美文化资源,实际上主要是寻求与激活在当代新的背景之下发展民族艺术的因子和机缘,是在文化层面上获得新的生长点。这至少有三层意思:其一,是民族艺术在当代背景下实现有效生存和发展的需要;其二,是在当代背景下对于民族文化身份的确认,以使其在营造多元共生的当代文化景观中显示自身价值;其三,对于民族艺术资源进行当代新的文化阐释,并使之焕发出为更多人所接受的新的美学品质。 building the great region of national culture, voluntary exploiting aesthetic culture resources on national tradition art, in fact means mainly with exploring and activating the factor or chance of developing national art in new background of the present age, it is also getting newly rising at the culture level. It at least has three meanings: firstly, the needs that the national art realizes effective existence and developing at background of the present age; secondly, it is for affirmation of the national culture status at background of the present age so as to showing itself value at the culture landscape for building its plural and symbiosis; thirdly, a new present explanation of culture is given to national art, so it can glow the new aesthetic quality for more people to accept.
作者 宋生贵
出处 《内蒙古大学学报(哲学社会科学版)》 CSSCI 北大核心 2006年第1期27-32,共6页 Journal of Inner Mongolia University(Philosophy and Social Sciences)
基金 内蒙古自治区社科规划项目"全球背景下发展民族艺术的美学研究"(项目批准号:0452)
关键词 民族艺术 审美文化资源 人文精神 持续发展 national art aesthetic culture resources humanity spirit sustainable developing
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  • 1马歇尔·麦克卢汉.《理解媒介》[M].商务印书馆,2000.22页.
  • 2参见赫尔德:《论希腊艺术》,《人类困境中的审美精神——哲人、诗人论美文选》,上海知识出版社1994年版。
  • 3[2]参见贡布里希《艺术科学》,载《艺术与人文学科--贡布里希文选》,浙江摄影出版社1989年版.
  • 4See Dore Ashton,Noguchi:East and West,University of California Press,1992,pp.29-30,p.37,p.60,p.98,p.234.
  • 5See Dore Ashton,A Critical Study of Philip Guston,University of California Press,1976,pp.185-6.
  • 6Dore Ashton,The Delicate Thread:Teshigahara's Lifein Art,Kodansha International,1997,p.10.
  • 7See Quantin Bell,"The Art Critic:‘Facts of Feeling 'vs.‘ Facts of History'",in Artnews,May,1976.
  • 8See Christopher Hitchens et al.,The Elgin Marbles:Should They Be Returned to Greece?,Verso,1997,pp.72-90.
  • 9Douglas Kellner,"Introduction",Media Culture:Cultural Studies,Identity and Politics Between the Modern and the Postmodern,London and New York,1995.
  • 10美国的很多公共博物馆有免费开放的时段,纽约的现代艺术博物馆就是在每周五的晚上向观众免费开放的(See Judith Dobrzynski,"Glory for the Art Museum in America",in The New York Times,Oct.5,1997) .

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