摘要
自觉开掘中国少数民族传统艺术的审美文化资源,实际上主要是寻求与激活在当代新的背景之下发展民族艺术的因子和机缘,是在文化层面上获得新的生长点。这至少有三层意思:其一,是民族艺术在当代背景下实现有效生存和发展的需要;其二,是在当代背景下对于民族文化身份的确认,以使其在营造多元共生的当代文化景观中显示自身价值;其三,对于民族艺术资源进行当代新的文化阐释,并使之焕发出为更多人所接受的新的美学品质。
building the great region of national culture, voluntary exploiting aesthetic culture resources on national tradition art, in fact means mainly with exploring and activating the factor or chance of developing national art in new background of the present age, it is also getting newly rising at the culture level. It at least has three meanings: firstly, the needs that the national art realizes effective existence and developing at background of the present age; secondly, it is for affirmation of the national culture status at background of the present age so as to showing itself value at the culture landscape for building its plural and symbiosis; thirdly, a new present explanation of culture is given to national art, so it can glow the new aesthetic quality for more people to accept.
出处
《内蒙古大学学报(哲学社会科学版)》
CSSCI
北大核心
2006年第1期27-32,共6页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
基金
内蒙古自治区社科规划项目"全球背景下发展民族艺术的美学研究"(项目批准号:0452)
关键词
民族艺术
审美文化资源
人文精神
持续发展
national art
aesthetic culture resources
humanity spirit
sustainable developing