试析少数民族影视剧创作中的文化瓶颈——从湘西匪患题材影视剧说起

On the Cultural Bottleneck Faced by Chinese Minority Movie and TV Series——By Employing West-Hunan Bandit Movies and TV Series as Examples

我国的少数民族影视剧创作在充分认识到制度瓶颈、市场瓶颈的同时,更有必要看到突破文化瓶颈的重要性。本文以湘西匪患题材影视剧为个案,探讨文化瓶颈在少数民族影视剧中的具体表现,并分析其形成原因,以期进一步明确少数民族题材影视剧在我国建立和谐社会的文化事业中所承担的重要作用。

The culture bottleneck cannot be neglected when Chinese minority movies and TV series Chinese minority movies, so as to reemphasize the cultural responsibility Chinese minority movies and TV series shouldered in the national enterprise of social harmony.