从“桃之夭夭”到“寻寻觅觅”——略论叠字在古代诗词中的运用艺术

From"the Dying Young of the Peach "to"Seeking"——Slightly Talk about Application Art in the Poesy in Ancient Times of Reduplicated Word

我国古代诗词中有许多成功运用叠字手法的佳句。《诗经》作为歌谣,为了获得声韵上的美感,大量使用叠字以及双声、叠韵,已十分成熟。“古诗十九首”的叠字运用很有古朴自然的特点,唐代时出现的近体诗,由于格律上限制,叠字的使用不如以前频繁,而宋词叠字运用得淋漓尽致,可以说达到了顶峰。到元曲,由于格律渐宽,叠字艺术又回到了它的源生地,表现更直露。叠字艺术对占代诗词的表情达意等方面起到了十分重要的作用。

Many ancient poesy of our country succeeds in using the beautiful line of the tactics of the reduplicated word. ＂ the Book of Songs ＂ in order to obtain aesthetic feeling on the sound, use reduplicated word, alliteration, assonance in a large amount as the ballad, already very ripe. Reduplicated word of ＂19 of Gu Shi＂ is it have simple and unsophisticated natural characteristic very to use, appear close body poem when the the Tang Dynasty, because limited on the rules and forms, the use of the reduplicated word is not so frequent as before, the reduplicated word of poetry of the Song Dynasty was used thoroughly, we can say that has reached the summit . Get yuans of song, because rides and forms more and more wide, reduplicated word art get back to source place of birth of it also, behave and reveal more directly even more. Art of the reduplicated ward plays a very important rule to the respect of communicating views etc. of the ancient poesy.