摘要
“新文人画”的产生不是一蹴而就,更不是一个画家群体或一两个人的突发灵感而产生的,有其深远的历史渊源和积淀,经过近代社会上百年的积累而进发的一种意识潮流,随之而来的是各种后后现代的“新”主义。
Production of " new scholar draw " to accomplish in one move, not even one painter colony or a few people come down with inspiration and produce. There are its far-reaching historical origin and accumulation, modem " new doctrine " after a following one of a kind of consciousness trend bursting out in accumulation for a century is various kinds of in the modem society.
出处
《商丘职业技术学院学报》
2006年第1期94-95,共2页
JOURNAL OF SHANGQIU POLYTECHNIC
关键词
“中国画”
文人画
文人画家
新文人画
新文人画家
Chinese painting
the scholar draws
scholar and painter
the new scholar draws
new scholar and painter