摘要
客体性美学的哲学基础是古代西方的客体性哲学,它的的重要特征是把美当作某种实在,当作客体的属性,而把主体排除在外,在方法论上,客体性美学仅研究美的本质,而不关注审美。美学史上,古西方艺术是一种典型的客体性美学,它将艺术与美分离开来,在东方,早期辩证唯物主义也流露了客体性美学的倾向,它把美的自然性与客观性割裂开来。因为客体性美学只关注客观对象的性质,却把主体忽略了,这种美形态必然要被高举主体性的近代美学所取代。
The philosophical foundation of objective aesthetics is the ancient western objective philosophy, whose important feature, is to regard beauty as a certain existence. It is excluded from subject and is attached to object. In methodology, it only studies the nature of beauty and ignores the appreciation of beauty. In the ancient western aesthetics history, art is a typical objective aesthetics, which separates art from beauty; and in the east, the early dialectical materialism also reveals the sign of objective aesthetics by separating the nature of beauty from its object. Objective aesthetics is replaced by modem aesthetics, because it only cares the realistic object and ignores the subject.
出处
《吉首大学学报(社会科学版)》
2006年第1期110-114,共5页
Journal of Jishou University(Social Sciences)
关键词
客体性
客体性美学
主体性美学
objectivity
objective aesthetics
subjective aesthetics