摘要
许多中国古典山水诗运用了寄情于景的审美移情,营造了“有我之境”。移情与比兴手法有不同之处。审美移情再现了诗人关照山水的赤子之心和童趣。
Many Chinese classical poem of landscape utilized esthetical sentiment moves through expressing feelings to build "having me in the scene", Sentiment moves compared with metaphor has differently place, Esthctical sentiment moves reappeared the poet's pure and innocent heart and their simple interesting to the landscape.
出处
《平顶山工学院学报》
2005年第6期87-89,共3页
Journal of Pingdingshan Institute of Technology
关键词
古典山水诗
审美移情
比兴手法
赤子之心
classical poem of landscape
esthetical sentiment move
technique of metaphor
pure and innocent heart