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巴金文艺思想与20世纪中国文艺思潮 被引量:1

Ba Jin's Literary and Artistic Thought and the 20th-century Chinese Ideological Thought in Literature and Art
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摘要 20世纪中国文艺思潮的本质,就是走向现代性,在现代文学里体现为反专制、争民主。巴金文艺思想的本质是以人性自由为价值观出发的写真实论。即真与善。真是巴金文艺思想的生命,是核心,善是巴金文艺思想的基点,是价值。凡是善被遮蔽的时候,真的追求就特别突出,凡是善正常体现的时候,他的这种真的追求就失去了那种斗争的焦灼感、冲动感。与茅盾、郭沫若比较,巴金的真实观是感受真实观,巴金文艺思想的历程,也侧写了中国现当代文艺思想的历程。 The 20th-century Chinese ideological thought in literature and art is, in essence, an approach towards modernity, as is mirrored in modem literature in the form of a struggle against autocarcy and for democracy. Ba Jin' s literary and artistic thought is, in essence, his realistic writing with its value concept as the freedom of humanity, i.e. truth and good. Truth is the life and core of Ba Jin' s literary and artistic thought while good is the starting point and value of his thought. Whenever good is concealed, the pursuit of truth becomes more marked while it turns common provided kindness represents itself normally. Compared with Mao Dun and Guo Mo-ruo, Ba Jin' s notion of truth is one of perception whereas the course of his literary and artistic thought is a reflection of the course of modem Chinese literary and artistic thought in one aspect.
作者 曹万生 靳彤
出处 《海南师范学院学报(社会科学版)》 2005年第4期25-29,共5页
关键词 巴金 人性 真实 文艺 思潮 Ba Jin humanity truth literature and art ideological thought
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参考文献6

  • 1巴金.灵魂的呼号[J].大陆杂志,1932,(5).
  • 2巴金.《灭亡》作者的自白[J].开明,1930,(6).
  • 3巴金.写作生活的回顾[J].读书,1933,3(1).
  • 4巴金.我的自剖--给<现代>编者的信[J].现代,1932,1(6).
  • 5茅盾.<子夜>是怎样写成的[N].新疆日报,1939-06-01.
  • 6[15]郭沫若.论国内评坛及我对于创作上的态度[N].时事新报·学灯,1922-08-04.

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