摘要
《简·爱》男主人公罗切斯特同简·爱、苔丝等其他人物形象一样,已经脱离作品而存在,早已成为整个人类文化的象征符号。论文从时代背景出发,结合权利话语理论,从男权文化的视角重新审视罗切斯特,从而得出结论:一方面,他始终受着社会权利话语的威压,是父权文化的牺牲品。但同时,他又对妻子伯莎及恋爱中的简·爱充当了不光彩的压迫者的角色,成了夫权文化的帮凶,是一个打着时代文化烙印的复杂而矛盾的人物。
As is well known, Mr. Rochester has been a symbol of human culture like Tess and Jane Eyre. This paper, based on the historical background and the power discourse theory, studies Mr. Rochester from the angle of nude power literature, and arrives at the conclusion that on one hand, Mr. Rochester is oppressed by social power discourse and patriarchy literature; on the other hand, he also acts as a accomplice of authority of the husband literature to Bertha and Jane Eyre. So it can be said that Mr. Rochester is a complicated and contradictory character who is the representative of literature of his day.
关键词
心理压迫
权利话语
男权文化
mental oppression
power discourse
patriarchy culture
