恶的延宕——《黑暗之心》叙事技巧的“陌生化”

本文旨在运用俄国形式主义“陌生化”理论,解读《黑暗之心》的叙事技巧。通过分析小说叙事结构的陌生化、叙事角度的陌生化和叙事语言的陌生化,文章探讨康拉德如何在《黑暗之心》中使用双重叙事结构、视角转换与视点转换及晦涩、迂回的叙事语言“延宕”主题的呈现。文章着手于小说的形式技巧,着眼于其人性层面的主题。

The present paper is intended to probe into the narrative techniques in Heart of Darkness. To this end, ＂defamiliarisation＂ theory is employed to the analysis of its double narrative structure, shifting narratives and the Conradian language.