改写与还原——《红粉》的隐形结构

Rewrite and Restore --the Contact Structure of <Women>

《红粉》消解了有关妓女改造的元叙事,书写了女性自身的悲剧。然而在表面温和的女性关怀中又显示了男性作家苏童潜意识的性别歧视,因为在《红粉》的隐形结构中,“男人压迫”改写成“女人压迫”,“红颜薄命”实际上是“红颜祸水”。这既是改写,又是还原。

〈Women 〉 dispels the original shape about the transform of prostitutes, it expresses the tragedy of women themselves. But as showing mild loving for women apparently it demonstrates sexual discrimination of male writer, in SU Tong＇s subconsciousness. Because in the concealable instruction of 〈Women 〉, ＂Man＇s oppression＂ is rewrote into ＂Woman＇s oppression＂, ＂A beautiful girl has an unfortunate life＂ is really ＂Beauty＇s misfortune water.＂ This is not only rewriting but also restoring.