“乐府”七说——与袁行霈、李炳海先生商榷

Seven arguments on Music Bureau

袁行霈先生主编的《中国文学史》在“两汉乐府诗”一章中提出了许多新的看法,笔者认为有不少地方是需要进一步斟酌的:(一)《大风歌》不是由乐府机关负责演唱的;(二)《安世房中歌》也是由太乐负责的;(三)太乐不管郊祀之乐,郊祀之乐是由乐府来管辖的;(四)汉乐府是武帝时始立的;(五)太乐主管的音乐并不是由前代留传下来的雅颂古乐;(六)乐府所掌乐章不一定以楚声为主;(七)“乐府诗”之“乐府”乃属泛称。

The author reckons many need to be considered carefully again： （ Song; （b） The Song Singed In Ancestral （c） The sacrificial music was under the HAN Guoliang parlances in Chinese Literary History by Yuan Xing-pei a） Music Bureau was not in charge of The Great Wind Temples was under the control of Imperial Music Bureau; control of Music Bureau; （d） Music Bureau was created during the reign of Emperor Hanwu ; （e） All the kinds of music in Imperial Music Bureau did not belong to the ancient refined music; （f） Chu songs may not be the bulk of the music in Music Bureau; （g） ＂Music Bureau Poem＂ was a kind of the general terms in Han dynasty.