摘要
“京派”小说家通过爱情与亲情相互纠结的叙事原则否定和拒绝了“爱情”,强调和突出了“亲情”。实质是对现代文明的有意对抗和背离及对传统文化的皈依和回归。在某种意义上具有相当的反人性和反人道主义,完全放弃了“五四”文学的主题和灵魂,造成了不良的恶果,引起了普遍的非议和批评。
BeiJing novelists emphasize affection in their worts by refusing live on the narrative principle of complicated relationship between love and offection Actually they confront intendedly modern civiliation and return to traditional culture. Their behauiors, in a sense are chaiacteristic of anti-humanity and thir worts deviate from the topic and soul of the May Fourth Mouement Lterrature consequently they received reproach and criticism.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2006年第2期68-71,共4页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
2004年福建省教育厅社科研究重点资助项目
编号为JA04133S
关键词
“京派”小说家
传统文化
现代文明
精神家园
BeiJing novelists
traditional culture
modern civilization
Spiritual home