摘要
苏轼力求艺术风格的多样化和个性化。早年,苏轼大力提倡豪放、雄壮的风格,到了饱经忧患的晚年,却推崇平淡朴质的风格。这种风格在艺术渊源上吸收了韦、柳的简古,白居易的浅易,陶诗的质癯。
Su Shi made every effort for the diversification and individuality of the artistic style. In his ambitious young, Su Shi vigorously advocated bold, majestic style, but in his old, after experiencing much suffering, Su Shi esteemed the light natural style. In the artistic origin, this kind of style absorbed succinct and plain of Wei Yingwu's and Liu Zongyuan's prose, simple and understandable of Bai Juyi's poets, nature yet gorgeous of Tao Yuanmin's poets.
出处
《湖南城市学院学报》
2006年第1期98-99,共2页
Journal of Hunan City Univeristy
基金
湖南省教育厅科研基金资助项目(04C14)
关键词
苏轼散文
风格论
多样化
个性化
Su Shi's prose
discuss on the style
diversification
individuality