摘要
朝鲜王朝前期,在各种庆典及迎接中国使臣的仪式上都要举行盛大的山台傩礼。但自“壬辰倭乱”和“丙子胡乱”之后则逐渐衰退下去,到后期,演变为民间的傩礼都监系统戏。《奉使图》中移动式“曳山台”的出现,为朝鲜山台傩礼变迁史的研究提供了珍贵的资料,这对韩国戏剧发展史的研究具有重要的参考价值。
At the early stage of Chosun Dynasty, the Shantai & Exorcising Opera was performed at all festivities and ceremonies welcoming Chinese ambassadors. But after the "Japanese Pirates Invasion in 1592" and "Manchus Invasion in 1636", it declined gradually. In the remaining period of the Dynasty, it evolved into a popular folk opera. As depicted in the Ambassadors Extraordin, the appearance of the movable Shantai offers a valuable evidence for the evolution of the Opera and is of critical importance for the study of Korean drama history.
出处
《延边大学学报(社会科学版)》
2006年第1期15-18,共4页
Journal of Yanbian University:Social Science Edition
关键词
朝鲜王朝
山台傩札
《奉使图》
戏剧艺术
Chosun Dynasty
Shantai & Exorcising Opera
Ambassadors Extraordin
art of drama