文化心理的■突涵融与辛词抒情艺术结构

Cultural and Psychological Conflict and Forgiveness and Xin Qiji's Lyrical Artistic Structure

儒与道、诸葛亮与陶渊明等所代表的积极进取、建功立业与看透世情、退身自娱两种文化心理的突涵融,造成了辛词哀怨超旷互涵、借山水田园与道家思想来消解幽怨发抒忧恨的独特抒情艺术结构。从中可看出儒道互补不仅是中国士大夫人生的艺术,也是其人生的悲剧。在艺术表现上则造成沉厚深涵的美学风致。

Confucianism ＆ Zhuge Liang and Taosism ＆ Tao Yuanming represent two cultural mentalities. The former is positive and aggressive, and accomplishrnent-oriented while the latter is world-weary and retiring. The conflict and integration of the two mentalities resulted in the sorrow and resentment as well as the detachment from worldly things in Xin Qiji＇s lyrical poems. He dispersed his bitterness, worries and resentment through pastoral expression and Taoist thinking and formed his unique lyrical artistic structure. It can be seen from Xin that the complementarity between Confucianism and Taoism is not only the art of life of traditional Chinese scholar-gentry but also the tragedy of their life. In terms of artistic expression, it resulted in the rich and deep aesthetic charm of traditional Chinese art.