从范畴到语言符号:古代书画审美语素“气”的研究构想

From Category to Linguistic Signs: Design of Study on Aesthetic Morpheme "Qi" in Ancient Calligraphy and Painting Literatures

目前对古代书画审美范畴“气”的研究在整体上存在如下不足:研究的视角是孤立的而非联系的,是静止的而非动态的;研究的方法处于“前科学”状态,凭直观经验进行随文阐释,缺乏必要的现代语言学理论与方法的指导,对“气”的解读往往偏离了特定时代人类审美认知发展的客观性。如果研究视角从范畴转到语言符号,就能使“气”的研究增加客观可信度,表现在:形式与语义互证,辩证分析言语意义与语言意义,区分“共时”与“历时”两个平面。

There are some shortages as follow in the present study on aesthetic morpheme of ancient calligraphy and painting literatures： 1） The visual angle of research is insular and quiescent; 2） The method is not scientific and short of objectivity. On condition that the angle of view changes from category to lansign, the research will gain impersonality and reliability, which embody in： 1） The form and meaning prove each other; 2） Distinguish parole and langue; 3） Differentiate synchronie and diachronie.