论梁斌长篇小说的叙述模式及其文化意味

On the Narrative Pattern of Liang Bin's Novels and Its Cultural Implications

梁斌的长篇小说创作表现出一种红色叙述模式,它通过全知全能的叙述视角来描述革命的曲折历程,人物分为正面和反面两类,在方法上强调革命的现实主义和革命的浪漫主义相结合。这种叙述模式与作者的无产阶级感情及政治意识形态之间有着一种同构的关系,叙述视角、人物形象等构成一个复杂的隐喻世界;同时,这种叙述模式在50年代盛行一时,体现出特定的时代文化意蕴。

Liang Bin＇s novels have a ＂red＂ narrative pattern. From both omniscient and omnipotent narrative angles, it describes the torturous course of China＇s revolution, with the characters divided into positive and negative ones, with resort to a combination of revolutionary realism and Romanticism. This pattern of narration has an isomorphic relationship with the novelist＇s proletariat feelings and political ideology. The narrative angle and figures form a complicated metaphorical world. This narrative pattern, which used to be popular in the 1950＇s , is a reflection of the cultural flavors of a particular era.