全国铜器鉴定所见伪器伪铭研究——兼论鉴定的几个理论问题

A Study of Bronzes and Their Inscriptions Verified as Not Genuine by Authenticators throughout China, and a Discussion of Several Theoretical Questions Regarding Authentication

本文主要依据20世纪90年代国家组织的全国文物鉴定系统工程中, 所见青铜伪器、伪铭的典型资料,进行较全面的研究,依其伪作内涵,对器体、装饰、铭文等伪作的种种表现,以及伪作中相互交叉的各种情况,尤其是对伪作铭文的多种方法和内容的复杂性给予了较为详尽的叙述。对伪作铜镜特点,也进行了阐述。文章还从理论上论述了有关青铜器与金文辨伪中的几个重要问题。其中如伪作溯源和历代伪作主要特点,辨伪的理念与方法等,均具重要意义。

The author has conducted a comprehensive typological examination of typological material regarding non-genuine bronze vessels and their inscriptions produced in the 1990s by cultural relics and archaeological bodies nationwide in the state-led project to authenticate cultural relics. Here the author presents his findings regarding the content of these forgeries, related to the bronze objects themselves, their decoration, and the inscriptions on them, and examines the interrelationship between these elements of forgery, describing in relative detail the different methods used to produce forged inscriptions and their content, as well as the complexity of these contents. The author also provides a description of the unique characteristics of bronze mirror forgeries. The article also outlines highly significant theoretical aspects of several prominent issues related to the forgery of bronzes and the inscriptions on them, notably the origins and history of such forgeries, and a consideration of concepts and methods of forgery.