摘要
林徽因的小说理论文字寥寥无几,但全是她创作经验的总结。一方面她在创作中忠实践行,另一方面以此为准则批评编选作品,理论与创作呈现为一种互动和共振的态势。
There are very few Lin Huiyin' s description on her novelistic theories, but all axe the summary of her creative experience. On one hand, she follows the theories faithfully in her fictioneering; on the other hand, she regards this as the criterion of criticism and compiles the works. Therefore, the theory and the fictioneering appear a kind of situation of interaction and resonance.
出处
《宜宾学院学报》
2005年第9期80-82,共3页
Journal of Yibin University