中国特色新诗的新起点——臧克家诗歌创作的文学史意义(下)

A New Starting Point for Chinese New Poetry:On the Significance of Zang Kejia's Poetry in Literary History

在五四文学革命大潮中,新诗取得了赫赫业绩,但也一定程度地丢掉了以民族化、大众化为核心的中国特色。崛起诗坛的臧克家,继承古诗与民族的优秀传统,学习五四新诗的长处,汲取新诗效法西方的经验教训,从创作到理论,全面建构新诗的中国特色;把鲜活的人民口语提炼成诗语;大致押韵,大体整齐,形成新诗的“外在韵律”;追求形象化,着力推敲,千锤百炼,托物寄意,借事传情,以丰厚的生活积累、正确的思想、燃烧的感情和严谨的态度创造典型的意象与意境,尤其注重塑造“典型的人生的形象”,建构起新诗的“内在韵律”。这些成就,使臧诗成为中国特色新诗的新起点,臧克家就是中国特色新诗新起点的奠基者和开路人。

During the May 4 literary revolution, Chinese modern poetry made great achievements on one hand, while on the other hand the Sinicism whose core was the nationhood and popularization was lost to some extend. Standing out from the Parnassus, Zang Kejia inherited the good tradition of the ancient poetry and folk songs, learned from the merits of the May 4 modern poetry and absorbed the experience of modern poetry following the West, constructed Chinese characteristic of modern poetry; abstracted poetic language from the colloquial; formed the ＂external metre＂ of poetry; created the typical images and artistic conceptions which formed the ＂inner metre＂ of poetry. Zhang Kejia＇s poetry could be considered as the new growing point of Chinese modern poetry and Zang Kejia was its founder and trail-blazer.