摘要
在朦胧诗这里,人或主体被表述为一个有血有肉、敢于运用自己的理智、能怀疑会思考的“自我”,并由此呈现或彰显出一个与现实、历史、民族、文化交融一体的“大写的人”或“普遍的主体”形象。而作为其应有之义的内在性或心灵化倾向,更赋予主体性诗学一种现代内涵。
In the poems of obscurity, man or any subject is vividly described as one with blood and flesh who dares to use his own wisdom, and is capable to doubt, to think the "self", and therefore, to present or show a "Capital Man" or a "General Principal Part" mingled together with reality, history, nationality and culture. Yet its internality and tendency of spiritualization endow the principal poetics with a modern connotation.
出处
《西南师范大学学报(人文社会科学版)》
CSSCI
北大核心
2006年第2期25-28,共4页
Journal of Southwest China Normal University(Philosophy & Social Sciences Edition)
关键词
朦胧诗
普遍的主体
内在性
诗学
poetry of obscurity
general subject
internality
poetics