摘要
《公众的怒火》被认为是后现代主义文学的代表作之一。借用巴赫金的狂欢化诗学理论去重新解读这部后现代主义文学的经典之作,可以看出,通过对官方话语的颠覆,文本实现了对“罗森堡间谍案”的重新建构。
The Public Burning has been regarded as a classic of the postmodern literature. The employs Bakhtin＇s poetics of carnivalization to analyze this novel and argues that through the subversion official discourse the text reshapes the Ethel and Julius Rosenberg case.
出处
《黄山学院学报》
2006年第1期138-142,共5页
Journal of Huangshan University
关键词
狂欢节
狂欢化
狂欢化的时空体
颠覆
carnival
the carlivahzation of literature
the carlivalized space and time
subversion paper of the
