摘要
《红楼梦》在塑造李纨形象过程中,妙用艺术技法,主要为:根据人物性格及情节发展的需要,不断地调整结构方式,层次鲜明地展示其性格发展的一贯性与阶段性,并重点写出其性格发展阶段中的特殊性,避免了人物形象的雷同感;通过类比、对比等方式编织故事情节,使其性格的多面性得以充分体现;提炼人物个性化语言,营造语言环境,使其适时准确地说出该说的话;处理好“写形”与“传神”的关系,准确而明了地描摹出其内心深层次的复杂情感,使人物形象的完整性、丰富性、真实性得以凸现。由此出色地塑造了这一集节妇、才女、仁嫂于一体的崭新艺术典型形象。
In the Dreams of Red Mansion, the image of Li Wan is shaped by the following artistic skills: hierarchical demonstration of the coherent development of Li Wan's personality with focus on special characteristics in each stage in order to avoid the sense of duplication; multi-demonstration of her personality with plot arrangements by means of analogy and contrast; precise discourse arrangement by individualized words in proper contexts; and exact and vivid description of complicated inner emotions with focus on the completeness, variety and authenticity of the image.Thus the skillful description in harmony with delicate structures brings readers a fresh artistic image of a virgin wife, talented woman, and kind sister-in- law.
出处
《黄山学院学报》
2006年第1期101-104,共4页
Journal of Huangshan University
关键词
《红楼梦》
李纨
典型形象
艺术性
the Dreams of Red Mansion
Li Wan
typical image
artistic