摘要
中国早期水彩画的初始，与明清之际的西画东渐有关。在康熙年以降的清宫院画中，以郎世宁和王致诚为代表的西方传教士画家，逐渐形成新体画派，构成与娄东派，虞山派传人一派和唐岱，冷枚为首的参照画西技法一派相并立的艺术势力，而且随着雍正和乾隆时期的院画演进发展，郎世宁的这种“折中主义”新画体影响力日益增加，并逐渐形成了清宫院画的主要格调之一。
From the middle of Qing Dynasty to the early 20th century is the spouting phase of Chinese watercolor painting.According to the areas and painters.the outhor divides the phase into three parts：＂Qing Dynasty Royal painting（Watercolor＂,＂Guangzhou Exported Watercolor Painting＂ and ＂shanghai Tushanwan Watercolor Painting ＂to explain the history of Chinese early watercolor painting.From the perspective of painting form,though＂Qing Dynasty Royai Painting （Watercolor）＂showed some quallty of watercolor painting,if can＇t be considered as watercolor painting in a strict sense.
出处
《艺术当代》
2006年第2期14-21,共8页
Art China
