摘要
传统文艺理论在理解“文学是人学”这一命题时,往往倾向于从认识论和知识论哲学出发,将文学活动中的人仅仅看成是思维主体和认识主体。这种思维视觉的局限扼杀了“文学是人学”这一命题的理论张力和推衍能力。惟有从以人为对象、以人为主体、以人为目的这三个维度出发,才能准确把握“文学是人学”这一命题的理论含蕴,从而对这一传统命题作出恰当的阐释。
When understanding the proposition of "literature as humanist", traditional theory of literature regards the human beings in literary action as an knowing subject or thinking subject often from epistemology and theory of knowledge. This thinking vision limits the theory tension and spreading ability of the proposition of "literature as humanist". Only by regarding human beings as the target, relying mainly on human beings and regarding human beings as the object, could we hold the proposition of "literature as hu- manist" accurately and explain this traditional proposition appropriately.
出处
《中国地质大学学报(社会科学版)》
2006年第2期105-108,共4页
Journal of China University of Geosciences(Social Sciences Edition)
关键词
文学
人学
三个维度
literalure
humanist
three dimensions