摘要
历代赋论赋话对范仲淹赋作的评论主要集中在三个层面:一是探讨本事,比如对《灵乌赋》、《荠赋》的评论,即属此类;二是观察用意,比如对《金在熔赋》、《水车赋》、《用天下心为心赋》等的评论,即属此类;三是赏析佳句,比如对《自诚而明谓之性赋》、《天道益谦赋》等的评论,即属此类。范仲淹由于早年于赋体文学用功甚大,因而在其他文体尤其记序文类写作时常常带有赋体笔法,采用了首尾是文,中间是赋的结构方式。这一现象,应该引起跨文类研究学者的高度重视。
The criticism to Fan Zhong-yan's Fu mostly exists in three aspects as follows.The first is to probe into original things,the criticism to Ling Wu Fu and Qi Fu,for example.The second is to look into internal means,the criticism to Jin Zai Rong Fu,Shui Che Fu and Yong Tian Xia Xin Wei Xin Fu,for example.The third is to appreciate pleasant phrases,the criticism to Zi Cheng er Ming Wei Zhi Xing Fu and Tian Dao Yi Qian Fu,for Example.As diligently studying in the literature of Fu Style in the early years,Fan Zhong-yan usually used Fu writing means in other style writings,especially in narrating writing.The above situation should be attached much importance to in inter-subject studying.
出处
《济南大学学报(社会科学版)》
2006年第2期35-41,共7页
Journal of University of Jinan:Social Science Edition