谈“树”的文化功能——顾恺之《洛神赋》与砖画《竹林七贤》中“树”的比较

Talking on cultural function of “tree”——Comparison of “Ode to Luoshen”Painting of Gu Kai Zi and “Seven Cirtuous Men Among Bamboo Woods”Brick-painting

从文化功能学而论顾恺之《洛神赋》中的“树”具有审美的情感表达功能,而砖画《竹林七贤》中的“树”具有祭祀的崇拜功能,二者处于不同的文化功能系统。魏晋南北朝时期绘画中“树”的文化功能的扩展是文人士大夫追求自我价值实现和生命意义的结果。

The pattern of trees in Gu Kaizhi＇s Rhyme-prose for the Goddess of Luo River （Luoshen Fu） has the aesthetic function of expressing feelings , while that in the brick drawing Seven Virtuous Persons of Zhulin and Rong Qiqi （Zhulin Qixian and Rong Qiqi） has the function of offering sacrifices to gods or ancestors. So the two tree patterns lie in two different systems of cultural function. Comparison between the two patterns can also show us the reasons and meaning of the expansion of the tree pattern＇s cultural functions in paintings of the Wei and Jin period.