2Mark Edmundson, Lhemture against Philosophy, Plato to Derrida : A Defence of Poetry, Cambridge University Press, 1996, p. 1.
3Jacques Derrida, The Post Card, From Socates to Freud and Beyond, trans. Alan Bass, Chicago & London: The University of Chicago Press, 1987, p, 197.p.204, P. 191, P,28, P,27, P.29, P,30-31,P.62, P.171, P,X iii , P. 102, P.73, P.44,P.45, P. 177, P.327, P.392.
4Arthur Schopenhauer, Der handschrifiliche Ntwhlass hrsg. von Arthur Huebscher, Muenchen1985, Bandl S.19.
5Wolfgang lser, The Fictive and the Imaginary, Charting IJterary Anthropology, Baltimore and London: The Johns Hopkins University Press, 1993, "Preface," p.xvi. P.296. PP,298 - 299.
6V.Shklovsky, "Art as Tetchnlque," in: Russian Formalist Criticism, Four Essays, Lincoln: The University of NebraskaPress, 1965, p, 12.
7"Kunst and Nachahmung," (1967) in: Asthetik and Poetik 1, Geosammelte Werke, Bd. 8, Tuebingen: J.C.B.Mohr (Paul Sieheck) .1999.S.32.
8Alan Bass, "Translator's Introduction: 1, before K," p.X ii , in: Jacques Denida, The Post Card, From Socrates to Freud and Beyond.
9Zeit and Sein," in: Martin Heidegger,Zur Sanche des Denkens, 3. auf, Tuebingen: Niemeyer 1988, S.8-9.
10Jaques Derrida, "le fateur de la retire," first published in Poetique 21 (1975), and now included in: Jacques. Derrida, The Post Card, From Socrates to Freud and Beyond, p.444.pp. 123 - 124.
