论吴中昆剧流派

A Study on the Schools of Kunju Opera in Central Area of Wu

昆剧问世伊始,昆山派迎合士大夫、贵族文人的审美情趣,开创了典雅骈俪的一代剧风,而萌起于丝绸之乡的吴江派奋起为昆剧的市民观众代言,以“本色”理论对昆山文风予以否定。在昆剧的发展过程中,苏州的人文环境促进了昆剧所内蕴的二元社会属性即贵族性、市民性的和谐共处,苏州派从而得以最终完成雅俗共赏的昆剧终极风范,从而显示了吴中昆曲派的无比魅力。

At the beginning of the Kunju Cpera, the Kunshan School creates a classic parallelism writing to satisfy the aesthetical inclination of the scholar-officials and the gentlemen, but the Wujiang School rises to speak for the resident audience of the Kunju opera and defies the Ktmshan style with its ＂own features＂. In the development of the Kunju Opera, the cultural environment promotes the harmonious existence of social duality characteristic of gentlemen and citizens in the Kunju Opera, in which the Suzhou School develops into a popular and most refined model of the Kunju Opera and exhibits the great charm of the Kunjiu School.