摘要
艾辛多夫是19世纪德国浪漫派作家。在德语自然诗史上,他的诗显示出一种有别于同派又不合于传统的“异质”。它既不同于启蒙自然诗,意在切物象形的描写,也不同于“狂飙突进”,重在主观情感的抒发。它是以主客统一的艺术思维,在情与景的浑融中,抒写自我的生命体验,造就出中国诗学所追求的“意境”。它能状难写之景,如在目前,有绘画美;它能含不尽之意,见于言外,生韵致美。
Eiehendorff was a German romantic poet of the late 18th and early 19th centuries. In German natural poetry history his works demonstrate a kind of "peculiar essence" that distinguishes it from other romantic and traditional poetry. His poetry differs from both enlightenment natural poetry that describes the reality of physical objects, as well as from "storm and stress" that emphasizes the expression of subjective feelings. In the blending of emotion with scenic description, this poetry expresses personal life experiences that make us the "artistic conception" sought of in Chinese poetry. This poetry has present and pictorial qualifies that express in words often descriptively elusive natural images, whilst at the same time containing deeper sentiments that transcend the bounds of written expression.
出处
《四川外语学院学报》
北大核心
2006年第2期40-44,共5页
Journal of Sichuan International Studies University